SINGLE REVIEW: DEBRA - High Plains

When I first encountered DEBRA’s self-described “Cosmic Country,” I’ll admit, I wasn’t entirely sure what that meant. Naturally, I did a bit of digging, and I came across some terms like “Hallucinogenic Honky Tonk” and “country plus drugs and books.” Those descriptions piqued my curiosity, and I found myself wondering what kind of sound would follow these strange but intriguing labels. I half-expected something that would pull me into a surreal, almost dream-like space—and I wasn’t wrong.

The track kicks off with a twanging acoustic guitar that immediately sets the tone—laid-back, free-flowing, and a bit aimless, but in a way that feels intentional. It’s not about precision here; it’s about atmosphere. The vocals follow suit—soft, tranquil, almost otherworldly. There’s a sense of nostalgia wrapped up in the performance, but it’s not overly sentimental. The gentle psychedelic swirl of the vocals, combined with the earthy tone of the guitar, creates this hypnotic space where everything feels both grounded and ethereal at the same time. It’s that “hallucinogenic” quality coming through: you feel like you’re floating just above the ground, experiencing a world that’s familiar yet not entirely real.

What really stands out to me is the sparseness of the arrangement. While the guitars are minimal, they’re rich in texture, and they manage to fill the space without feeling overwhelming. There's a real delicacy to the composition, almost reminiscent of The Beatles during their more experimental days. That’s not to say it’s a mere copy of the '60s vibe, though. The sound feels fresh and modern, even while it transports you back to a bygone era. There’s something timeless about it—like a snapshot of the past, but one that fits perfectly in the present moment.

Listening to 'High Plains,' I feel like I’m being taken on a quiet journey, one that moves slowly and meditatively, but with a sense of purpose. The track never rushes; it’s not trying to impress you with speed or intensity. Instead, it’s all about mood and atmosphere. And yet, despite the laid-back, nostalgic tone, it doesn’t feel stuck in the past. DEBRA has managed to create something that feels like a genuine slice of '60s nostalgia, but with a modern twist that keeps it feeling alive and relevant.

Ultimately, 'High Plains' is an interesting blend of psychedelic folk and country, and it’s a track that’s both reflective and expansive. There’s an authenticity to it, and while it certainly evokes the spirit of the '60s, it never feels like it’s merely paying homage to the past. Instead, it’s offering something new, something that feels as timeless as it is fresh. It’s the kind of track you can lose yourself in, letting the music wash over you as it takes you somewhere a little bit magical, a little bit otherworldly.

Amy

I'm Amy a Norfolk girl, currently residing at the seaside.

Age: eternally 21 (I’m really Peter Pan!).

By day I'm a Leaks, Condensation, Damp and Mould Resident Liaison Officer and by night I'm CRB's admin bitch, reviewer extraordinaire, point and hope for the best photographer, paperclip monitor and expert at breaking anything technical then expecting Scott to fix it!

I'm into all kinds of music the more obscure the better (my music taste is definitely better than yours 🤪😜) with my fave band being The Wonder Years.

I'm an Ipswich Town fan and have an unhealthy obsession with hedgehogs!

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